
A triplet built from a flammed double plus a single: flam, same hand, other hand. One lead hand the whole time, unlike the flam accent.
Play it next to the flam accent. A listener hears the same thing, but the sticking is nothing alike. The flammed double is most of the work, so make sure the second right (or left) speaks clearly. Because it does not alternate, put in left-lead reps or it will never develop.
Basel drumming, modern corps writing, and fast triplet textures around the kit at tempos where flam accents fall apart.
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