
Two singles and two doubles, six notes. Unlike the paradiddle it does not alternate. The same hand leads every time unless you switch it yourself.
Phrase it as a sextuplet with the accent on note one. Keep both diddles matched. The second one usually comes out weaker. Practice a right-lead bar, then a left-lead bar, since the rudiment will not switch hands for you.
The base of most gospel sextuplet licks and half the fast triplet licks in fusion. Jazz drummers lean on it too.
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