
A drag, then two singles: three notes with a drag leading into the first one. Named after lesson 25 in the old Bruce and Emmett drum method book.
Traditionally voiced with the accent on the last note: drag, tap, accent. Keep the dragged note and middle tap quiet so the accent has somewhere to go. It does not alternate by itself, so make yourself run left-lead reps. Once it is comfortable, it chains into ratamacues almost automatically.
Learn this and the ratamacues come easy. It is all over the old American solos.
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