
Two drags in a row, then the accented tap. Same idea as the single drag tap with one more drag stacked on the front.
The second drag is the hard one: your hand has just played grace notes and must do it again immediately. Keep both drags identical in width and volume. Traditional feel is a lilting 6/8; practice it there first because the compound pulse gives the drags room to breathe.
6/8 marches and traditional rudimental solos, where its rolling, ornamented feel is a signature sound.
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