
A triplet with a flam on the first note, alternating lead hands each group. The classic triplet-feel flam rudiment.
Keep the two non-flammed notes low and even, and let the flam carry the accent naturally. The switch of lead hand each triplet is where beginners stumble, so isolate that: one triplet right lead, one triplet left lead, slow, until you stop having to think about the switch. Triplets at 60 to 80 BPM is the range to work in.
6/8 marches, triplet fills, and jazz players who flam the front of each triplet.
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